Columbia ISA

 Theater Basics

 Today's Remotes

REMOTE CONTROL

In 1956, Robert Adler invented the Wireless TV Remote Control.

 

First TV Remote Control:
The first TV remote control, called "Lazy Bones," was developed in 1950 by Zenith Electronics Corporation (then known as Zenith Radio Corporation). Lazy Bones used a cable that ran from the TV set to the viewer. A motor in the TV set operated the tuner through the remote control.  Although customers liked having remote control of their television, they complained that people tripped over the unsightly cable that meandered across the living room floor.
Flashmatic: The First Wireless TV Remote
Zenith engineer Eugene Polley invented the "Flashmatic," which represented the industry's first wireless TV remote. Introduced in 1955, Flashmatic operated by means of four photo cells, one in each corner of the TV cabinet around the screen.

While it pioneered the concept of wireless TV remote control, the Flashmatic had some limitations. It was a simple device that had no protection circuits and, if the TV sat in an area in which the sun shone directly on it, the tuner might start rotating.

Development Challenges
Zenith management loved the concepts proven by Polley's Flashmatic and directed his engineers to develop a better remote control. First thoughts pointed to radio. But, because they travel through walls, radio waves could inadvertently control a TV set in an adjacent apartment or room.

Using distinctive sound signals was discussed, but Zenith engineers believed people might not like hearing a certain sound that would become characteristic of operating the TV set through a remote control. It also would be difficult to find a sound that wouldn't accidentally be duplicated by either household noises or by the sound coming from TV programming.

The Birth of Space Command
Zenith's Dr. Robert Adler suggested using "ultrasonics," that is, high-frequency sound, beyond the range of human hearing. He was assigned to lead a team of engineers to work on the first use of ultrasonics technology in the home as a new approach for a remote control.

The transmitter used no batteries; it was built around aluminum rods that were light in weight and, when struck at one end, emitted distinctive high-frequency sounds. The first such remote control used four rods, each approximately 2-1/2 inches long: one for channel up, one for channel down, one for sound on and off and one for power on and off.

They were very carefully cut to lengths that would generate four slightly different frequencies. They were excited by a trigger mechanism -- similar to the trigger of a gun -- that stretched a spring and then released it so that a small hammer would strike the aluminum rod. The device was developed quickly, with the design phase beginning in 1955. Called "Zenith Space Command," the remote control went into production in the fall of 1956.

Quarter Century of Ultrasonic Remotes
The original Space Command remote control was expensive because an elaborate receiver in the TV set, using six additional vacuum tubes, was needed to pick up and process the signals. Although adding the remote control system increased the price of the TV set by about 30 percent, it was a technical success and was adopted in later years by other manufacturers.

In the early 1960s, solid-state circuitry (i.e., transistors) began to replace vacuum tubes. Hand-held, battery-powered control units could now be designed to generate the inaudible sound electronically. In this modified form, Dr. Adler's ultrasonic remote control invention lasted through the early 1980s, a quarter century from its inception.

Today's Infrared Remote Controls
By the early 1980s, the industry moved to infrared, or IR, remote technology. The IR remote works by using a low frequency light beam, so low that the human eye cannot see it, but which can be detected by a receiver in the TV. Zenith's development of cable-compatible tuning and teletext technologies in the 1980s greatly enhanced the capabilities and uses for infrared TV remotes.

Today, remote control is a standard feature on other consumer electronics products, including VCRs, cable and satellite boxes, digital video disc players and home audio receivers. And the most sophisticated TV sets have remotes with as many as 50 buttons.

Zenith developed the world's first wireless trackball TV remote control, called Z-Trak. The remote works like a computer mouse - click the ball and a cursor appears on the TV screen. Roll the ball and the cursor activates control menus hidden in different corners of the screen. Then, activate something from those menus - bass, treble, contrast, color temperature, channel... whatever.

Manufacturers used to only make remote controls that operated one TV set.  However, they are now making universal remote controls that can operate any TV set.  Experts predict that someday remote controls will control almost every device in the home.




HOW IT WORKS:
Hard Wired: The "Lazy Bones" used a cable that ran from the TV set to the viewer. A motor in the TV set operated the tuner through the remote control. By pushing buttons on the remote control, viewers rotated the tuner clockwise or counterclockwise, depending on whether they wanted to change the channel to a higher or lower number. The remote control included buttons that turned the TV on and off.

Flashmatic: Operated by means of four photo cells, one in each corner of the TV cabinet around the screen. The viewer used a highly directional flashlight to activate the four control functions, which turned the tuner clockwise and counter-clockwise and which turned the sound and power on and off.

Ultrasonic:  The "ultrasonics," that is, high-frequency sound, beyond the range of human hearing. The original Space Command remote control was expensive because an elaborate receiver in the TV set, using six additional vacuum tubes, was needed to pick up and process the signals. In the early 1960s, solid-state circuitry (i.e., transistors) began to replace vacuum tubes. Hand-held, battery-powered control units could now be designed to generate the inaudible sound electronically.

Infrared: The IR remote works by using a low frequency light beam, so low that the human eye cannot see it, but which can be detected by a receiver in the TV.

FACTS:

  • In 1999, more than 99 percent of all TV sets and 100 percent of all VCRs sold in the U.S. were equipped with remote control.
  • More than 9 million ultrasonic remote control TVs were sold by the industry during the 25-year reign of Dr. Adler's invention.
  • Zenith sales people were against using batteries in the remote control. In those days, batteries were used primarily in flashlights. If the battery went dead, the sales staff said, the customer might think something was wrong with the TV.
  • Early remote controls were expensive because an elaborate receiver in the TV set, using six additional vacuum tubes, was needed to pick up and process the signals. Adding a remote control system increased the price of the TV set by about 30 percent.

 


Remote Controls Today

With most pieces of consumer electronics, from camcorders to stereo equipment, an infrared remote control is usually included. Video and audio apparatus, computers and also lighting installations nowadays often operate on infra-red remote control. The carrier frequency of such infra-red signals is typically in the order of around 36 kHz. The control codes are sent in serial format modulated to that 36 kHz carrier frequency (usually by turning the carrier on and off). There are many different coding systems in use, and generally different manufacturers use different codes and different data rates for transmission.

"IR" stands for infrared. Infrared light is invisible since its frequency is below that of visible red. Otherwise, it is like any other light source, operating under the same laws of physics. In most cases, the IR signals are produced by an LED source.

IR transmit and receive systems are inexpensive and are generally reliable. However, interference from other IR sources can be a minor issue. Interference can come from IR remote controls, IR audio systems (these broadcast an IR signal continuously) or other IR sources. Interference can also be caused by other light sources such as fluorescent lights (the ballast can cause IR interference). Sometimes some electronic ballasts powered light can cause interference problems. In order to avoid any interference with this kind of equipment, the operating frequency of all electronic ballasts has to be chosen so that problems in the 36 kHz frequency area are out of the question.

Many existing IR systems modulate the IR light at around 36-40 kHz (this is the frequency of the IR carrier and should not to be confused with the actual frequency of the IR light itself). The possibility of interference is more likely around the 40 kHz frequency. One way to limit interference is to use higher IR carrier frequencies. Some IR systems now use carrier frequencies into the megahertz region.



Given the use of different components in Home Theater, you can?t avoid the issue of multiple remotes. You have two choices. Either use each remote; or find one that controls all or most of the equipment in your system. There are pros and cons to both.

Types of Remote Controls
There are six types of remote controls:
o Standard
o Single brand
o Universal
o Learning
o Programmable
o Custom

Standard Remote
Controls the component with which it was originally sold; it doesn?t operate any other equipment.


The advantage of using a standard remote is that it operates that specific component perfectly. Most remotes cannot duplicate every function of a standard remote. For example, some standard DVD, CD and VCR remotes contain a jog dial, and you can?t duplicate a dial with a pushbutton.

Single-Brand Remote
Manages multiple components that come from the same manufacturer.

An audio/video receiver?s remote control usually has source keys that operate other same brand components.

Universal Remote
Controls different equipment from various manufacturers using preprogrammed operating codes

Pros:
Easy to use with components from same manufacturer
Low cost
Cons:
Not programmed for older or non-standard equipment and new equipment functions
Does not provide all functions for each component


If your Home Theater consists primarily of new components from the same (or leading brand) manufacturer and you?re on a budget, choose a Universal Remote for your system.

Learning Remote
Manages multiple components by ?learning? Infra-red commands of other remotes and storing them in its memory.

Pros:
Ability to consolidate older and non-standard equipment
Low cost
Cons:
Time-consuming to set-up

Programmable Remote
Controls all components in Home Theater thru the use of pre-programmed codes and Infra-red ?learning?; allows you to program custom interfaces into its LCD screen using macros.

Pros:
Single remote for entire system
Ability to customize remote for specific components
Ability to customize remote based on how you want to manage your system
Cons:
Time-consuming to program


If you want to control and manage all the equipment for your entire Home Theater with one remote, choose a programmable remote. They?re the solution of choice to end coffee-table clutter.

Custom Remote
Usually geared to audio and electronics gurus at $1,000+, a professionally designed and programmed remote system that manages your entire Home Theater can also be used with home automation system.


Remotes operate either by Infra-red light or radio frequency (RF). Since Infra-red remotes operate via a beam of light, the component must be in the remote?s line of sight in order for it to receive the command. RF remotes operate via radio waves and can transmit thru walls and cabinet doors. RF remotes can also operate other RF capable equipment throughout the house, including the on/off switch and dimmer for the lighting system in your Home Theater.