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How do I know if a TV is a HDTV?

Since the first HDTVs appeared in 1998, high-definition television has been on the mind of TV buyers. Moving from the analog TV system of the past 50 plus years, called NTSC, to the new digital TV system of today, called ATSC, requires many changes both on the part of the consumer and the television providers.

Analog: An analog TV cannot display progressive-scan DVD or HDTV. It can only show standard-definition programs such as those found on regular TV, or cable--including digital cable.

Digital: A digital television, sometimes called a DTV, can also display progressive-scan DVD, and possibly High Definition TV programming.

EDTV: This stands for Enhanced-Definition TV, and usually it describes a television that can display HDTV signals but doesn't have enough resolution to do them justice. Most often it applies to plasma TVs and denotes 852x480 pixels, not enough to be HDTV.

HDTV: High-definition televisions, or HDTVs, can display standard TV, progressive-scan DVD, and HDTV signals. HDTV will provide the best picture given a High Definition source signal.


A digital TV must have specific characteristics in order to be a HDTV. 
Here is what to check for:

1) The most obvious feature about a HDTV is the screen size and shape. HDTVs will have a wide-screen, rectangle shape, instead of the more square screen shape of old analog TVs.

The screen should be almost twice as wide as it is tall. A good HDTV also has a larger screen size than older TVs, with many in the 42 inch range or larger, substantially larger than the 27 inch screen size of older analog TV sets.

It's worth having a screen this big, because the increased quality of progressive scan DVD and HDTV cable/satellite/off-air receivers makes it worthwhile having the image this large. Many HDTVs are also super thin, like Plasmas and LCDs which can be hung on a wall. But just because the TV is thin or has a flat screen, does not necessarily make it a HDTV.

  

HDTV Standard analog TV



  
2) Now let's get technical. In order to qualify as a HDTV, the display must be at least 720 pixels by 1280 pixels. This is not something you can determine by looking at the TV. You have to do your homework here and research the specifications of the model you are considering.

To be called "HDTV", a digital display must have a native resolution of at least 1280 X 720 pixels. Just because a TV makes a picture with an HDTV signal doesn't mean it actually produces this resolution on the screen. You can also get higher native resolution displays such as 1920 X 1080 which are also High Definition TV. HDTV signals are 720p or 1080i (some 1080p are available on Blu-ray or HD-DVD). If your HDTV has a native resolution of 768 X 1366, your HDTV will adjust the signal according to the display requirements, either up converting or down converting. Either way the HDTV will display both types of signals, 720p or 1080i.

The 'p' means progressive scanning while the 'i' means interlaced scanning. Progressive presents the picture on the screen in one pass while interlaced takes two passes. With the Blu-Ray and HD-DVD high-definition DVD players already out, you might even consider a 1080p HDTV. Most people can't tell the difference between 720p and 1080i but your HDTV will make any conversion required to display the signals properly according to your particular display's needs.

3) An HDTV must be "digital", inside and out. Your older TV from years ago was analog and could never show digital signals directly. An HDTV will have digital video cable connections such as DVI or HDMI for hooking up your progressive scan DVD player or digital cable box.

You should have a ATSC tuner built-in to the HDTV for over-the-air digital broadcasts. You may also have a QAM tuner for digital cable and you may also have a CableCard slot. (QAM stands for Quadrature Amplitude Modulation.  Simply put, this is the modulation used to transmit DTV via cable TV.  It differs from the 8-VSB modulation used in over-the-air broadcasts of DTV.  8-VSB stands for 8-level Vestigial Sideband). For satellite TV you need a satellite tuner/converter box to decode the satellite TV signals.



DISPLAY TYPES - See HDTV Display Types

CRT - Direct view CRTs remain the lowest cost, although not the highest resolution. In the larger sizes, they get very heavy and are very deep.

LCD - Direct view LCD displays are becoming much more popular, higher quality and the prices are dropping. They have the advantage over CRT's of being bright, lower weight, and thin. Direct view LCD displays are becoming available in larger sizes, overtaking plasma in some cases with the same advantage of being very thin but using less power.

Plasma Display Panels - Plasma Displays have the advantage of being bright, thin, and available in large sizes (currently up to 103 in.). Their disadvantage is the weight and increased power consumption. 

Rear Screen LCD and DLP projectors are rapidly replacing rear screen CRT because of their higher resolution and brightness, lighter weight, smaller box size, and decreasing manufacturing cost. They both need a light bulb to operate, but initial concerns are being overcome by extremely long-life metal halide lamps.

LCD and DLP projectors are now available in low-cost, high brightness, small size and low noise models for home theater installations. However, you need a room that can be made as dark as a movie theater in order for the pictures to look good.

DIGITAL TUNERS

Some digital displays do not include the digital tuner. Instead, you have to buy a stand-alone set-top-box. This is changing with the FCC mandate that all 36", 25" and 13" displays with analog tuners also include a digital tuner by 2005, 2006 and 2007 respectively.

FCC tuner mandate: The FCC has mandated that certain sizes of televisions for sale on certain dates are required to have built-in ATSC tuners--but the TVs don't necessarily have to be able to display HDTV resolutions. Here's a look at the FCC's proposed rollout:

Date TV sizes that must include ATSC tuner*
March 1, 2006 All TVs 25 inches or larger
March 1, 2007 All TVs regardless of screen size
* Does not apply to monitors that lack built-in standard (NTSC) tuners. 

Early digital tuners did not perform well in conditions of ghosting. Fortunately, the 5th generation decoder chips have improved this situation, and became available in the spring of 2005.

You can now get built-in digital tuners which can receive BOTH digital cable signals and over-the-air digital transmissions. A security card plugs into these boxes to enable various tiers of digital cable programming. The Samsung SIR-T451 external digital tuner is an example of a external digital tuner which will add high-def programming to any HD-ready TV.

Over the air:
Not all HDTVs come with a built-in tuner (called digital or ATSC tuners) that can receive high-definition programs over the air by simply connecting an antenna. Sets that have them built in are called integrated HDTVs, and those that don't are sometimes called HDTV ready or HDTV compatible. If you buy an HDTV-ready set, you'll also need to connect a separate tuner (or cable or satellite box) to watch high-definition programming. External over-the-air HDTV tuners currently cost around $120.

Cable and satellite: The FCC's plans for ATSC tuners have nothing to do with HDTV over cable and satellite. Subscribers to pay TV services can simply get a set-top box that tunes HDTV channels, plug it into their HDTV-ready sets, and watch HDTV. Some new HDTVs are digital cable ready (DCR), meaning they can tune digital cable channels, including HDTV if the cable provider has HDTV channels, without needing an external cable box. To use a DCR television, you'll need to get an access card from your cable provider called a CableCard. Unlike actual digital cable boxes, current DCR TVs can't do video-on-demand, and you must pick up a phone if you want to order pay-per-view programs. Using the card with some sets also means you can't access the electronic program guide (EPG), although many new DCR HDTVs include a third-party EPG, such as the TV Guide system.


The WOW TEST

If you have never seen a true HDTV video image before on a HDTV, there is the WOW test. When you see true High Definition video on the screen of a HDTV you immediately know it because you think to yourself, WOW! that really looks good. The video is crisp, sharp and is often described as just like looking out a window on a bright sunny day.

AUDIO

HDTV signals often come with multi-channel sound as well as the video. Some shows have Dolby Digital 5.1 audio so you can surround yourself with six loudspeakers and enjoy the action even more.

BRAND NAMES

Stay with the top electronics brand names such as Sony, Samsung, Panasonic, LG, JVC, Sharp, Pioneer, Hitachi and avoid the no-name brands. In the long run you will be better off.
 

HDTV resolution

Resolution, or picture detail, is the main reason why HDTV programs look so good. The standard-definition programming most of us have watched on TV in the past has at most 480 visible lines of detail, whereas HDTV has as many as 1,080 lines. HDTV looks sharper and clearer than regular TV by a wide margin, especially on big-screen televisions. HDTV signals come in two different resolutions, called 1080i and 720p. One is not necessarily better than the other; 1080i has more lines and pixels, but 720p is a progressive-scan format that should deliver a smoother image that stays sharper during motion. Another format is also becoming more well-known: 1080p, which combines the superior resolution of 1080i with the progressive-scan smoothness of 720p. 


Although resolution is the most talked about aspect of HDTVs, the most important aspect of picture quality is contrast ratio, the next important is color saturation, and the next is color accuracy. Don't get too focused on resolution alone.

Native resolution:
For fixed-pixel displays: A fixed-pixel display is any HDTV or monitor that uses pixels to produce an image, including flat-panel LCD and plasma screens as well as rear-projection micro-displays and front projectors that use DLP, LCD, or LCoS technology. Non-fixed-pixel displays, namely direct-view and rear-projection CRTs, because they treat incoming resolutions differently than their fixed-pixel cousins --since they don't use discrete pixels, their specs are much more difficult to determine.

All fixed-pixel displays have a native resolution spec that tells you how many pixels the display actually has. Native resolution is the absolute limit on the amount of detail you'll see.

Fixed-pixel displays follow a few basic rules:

  • No matter the resolution of the source material, whether VHS, DVD, or HDTV, a fixed-pixel display will always convert, or scale, it to fit its native resolution.
  • If the incoming source has more pixels than the display's native resolution, you will lose some visible detail and sharpness, though often what you're left with still looks great.
  • If the incoming source has fewer pixels than the native resolution, you're not getting any extra sharpness from the television's pixels.

HDTV source resolutions

Signal source is everything with HDTV.  There are two main HDTV resolutions in use today by HD broadcasters and other sources: 1080i and 720p. One is not necessarily better than the other; 1080i has more lines and pixels, but 720p is a progressive-scan format that should deliver a smoother image that stays sharper during motion. Another format is also becoming better known: 1080p, which combines the superior resolution of 1080i with the progressive-scan smoothness of 720p. True 1080p content is extremely scarce, however, and none of the major networks have announced 1080p broadcasts. The term 1080p today appears mostly in reference to the displays' native resolution, not the source. None of the major networks have announced 1080p broadcasts. Plasma, LCD, LCoS and DLP TVs have a fixed number of pixels, known as native resolution, and the higher that number, the more detail you'll see. Naturally, higher-resolution fixed-pixel displays, such as 1080p sets with 1,920x1,080 pixels, cost more money.
  
Source resolution Resolution pixels HDTV Progressive
scan
Wide-
screen
Signal source
1080p 1,920x1,080 Yes Yes Yes Blu-ray; HD-DVD
1080i 1,920x1,080 Yes No Yes CBS, NBC, PBS
720p 1,280x720 Yes Yes Yes ABC, FOX, ESPNHD
480p 852x480 No Yes Yes prog-scan DVD
NTSC TV Up to 480 lines No No No All


Despite the obvious difference in pixel count, 720p and 1080i both look great. In fact, unless you have a very large television and excellent source material, you'll have a hard time telling the difference between any of the HDTV resolutions. It's especially difficult to tell the difference between 1080i and 1080p sources. The difference between DVD and HDTV should be visible on most HDTVs, but especially on smaller sets, it's not nearly as drastic as the difference between standard TV and HDTV.

HDTV display resolution
Now that we've considered the source, let's look at the televisions. As we mentioned above, all fixed-pixel HDTVs scale the incoming resolutions to fit the available pixels, throwing away information if they have fewer pixels and interpolating information if they have more pixels than the source.
  
Native resolution ? Commonly called ? Meets definition of HDTV TV types
1,920x1,080 1080p Yes Flat-panel LCD; DLP, LCD, and LCoS projection; high-end plasma
1,366x768 768p Yes Flat-panel LCD; 50-inch plasma
1,280x720 720p Yes DLP, LCD, and LCoS projection
1,024x768 HDTV plasma Yes 37 and 42-inch plasma
852x480 EDTV plasma No 37 and 42-inch plasma
640x480 VGA No Small LCD TVs



This is the number of physical pixels the television uses to produce a picture. You may notice that few of the resolutions in the table match the HDTV source resolutions exactly. That's mainly because TV makers find it more cost efficient to make panels with the pixel resolutions in the table and then scale the incoming sources to fit the screen. It's true that ideally you'd like to exactly match the incoming source with the display's native resolution, but it's much less important in HDTV than in, say, computer monitors. That's because scalers in HDTVs generally do a good job of converting the signals, and because most HDTV is in motion and seen from a distance, as opposed to static text seen up close.

All fixed-pixel displays are natively progressive-scan, meaning that even if the source is interlaced, they'll convert it to progressive-scan for display.

In the real world, it's difficult to tell the difference between native resolutions once you get into high-def. For example, despite the fact that a 37-inch LCD with 1,366x768 pixels has to throw away a good deal of information to display a 1080i football game on CBS, you'd be hard-pressed to see more detail on a similar 37-inch LCD with 1,920x1,080 resolution.

1080p

Once you get to high-def, the difference between resolutions becomes much more difficult to appreciate. Tests between two 50-inch rear-projection HDTVs, one with 720p resolution and the other with 1080p resolution, using the same 1080i source material, showed it was extremely difficult to see any difference. It becomes even more difficult at smaller screen sizes or farther seating distances--say, more than 1.5 times the diagonal measurement of the screen. A 37-inch 1080p LCD shows it is impossible to see the separation between horizontal lines at farther than 4 feet away. 

Brightness on HDTV sets 

Brightness on HDTV sets is often measured in cd/m2 or candela per square meter. This indicates how well you can view the TV in brighter lighting conditions. The higher the value the brighter the screen will be and the easier it will be to see in bright light conditions.

A typical TV set has a brightness of 350 cd/m2, and a new HDTV can be upwards of 1000 cd/m2.

Therefore if the room you will be watching your HDTV in is often bright you will benefit greatly from a higher cd/m2 TV set as it will help deliver a higher quality picture.

Brightness deals with the intensity of the light that one can see and is measured by candelas, as in candelas per meter squared or cd/m2. It can make a significant difference in a user's visual experience depending upon the environment and the content being viewed. If you watch TV in a sunlit room, you want a brighter screen than when you watch TV in a dark room. A typical CRT picture tube has an average rating of 350 cd/m2. The candela was based on an older unit, the candlepower, which was referenced to the luminous intensity of a "standard candle" of known composition. This was later replaced by a new unit, the candela, defined in terms of the black-body radiation emitted by 1/60 of 1 cm2 of platinum at its melting point.

LCD panel screens are lit with built-in fluorescent tubes above, beside and sometimes behind the LCD. This lamp, usually a Cold Cathode Fluorescent Lamp (CCFL), produces
little heat, is highly efficient, and has a long life span. A white diffusion panel behind the LCD redirects and scatters the light evenly to ensure a uniform display. This is known as a backlight. When that light goes out, you can barely see the image on the screen. This principle also applies to LCD and DLP projector and rear projector TV models.

Luminance is a photometric measure of the density of luminous intensity in a given direction. It describes the amount of light that is emitted from a particular area, and falls within a given solid angle.

Analog TV broadcast switch-off:
In December 2005, the Senate passed a budget bill that calls for over-the-air television stations to cease their analog broadcasts by February 17, 2009. After that date, TVs and other gear with old-style NTSC tuners would be unable to receive over-the-air broadcasts. Part of the government's quandary is that the switch-off would cause many TVs to go dark and would deprive many lower-income viewers of their only source of television. To address this issue, lawmakers propose to subsidize converter boxes that would allow people to watch the new digital broadcasts on their old analog TVs. Further details on the transition to digital and the converter box subsidy are still being worked out but the proposed $40 voucher for qualified households may be available to buy a converter box.

See this for more information: Digital TV converter box, U.S. Govt program


HDTV Setup installation





 Glossary for HDTV

 4:3:  Aspect ratio of traditional NTSC TV screens, with 4 unit width by 3 unit height.

16:9:  Aspect ratio of wide-screen DTV formats for all HDTV and some SDTV (Standard Definition) content, 16 unit width by 9 unit height.

 8-VSB: Acronym for the transmission method used for over-the-air DTV broadcasting in Canada and the USA. Eight discreet amplitude level, "vestigial side-band" broadcast transmission technology. VSB is an analog modulation technique used to reduce the amount of spectrum needed to transmit information through cable TV, or terrestrial broadcasting.

 AC-3: The 5.1-channel compressed digital sound system specified for DTV broadcasting. AC-3 delivers CD-quality digital audio and provides five full-bandwidth channels for front left, front right, center, surround left and surround right speakers, plus an LFE (low frequency effect) subwoofer, for a total of 5.1 channels. AC-3 is one member of a family of sound systems developed by Dolby Labs.

A/D:  Electronic device that connects an analog television signal to a digital system.

 Addressable Resolution: The highest resolution signal that a display device (television or monitor) can accept as input. Some display devices may not be capable of displaying such signals and may down-convert them to a lower resolution prior to display.

Analog Video:  The conventional NTSC television system in use today uses analog technology, in which the image sound and the picture brightness and color are represented by signals proportional to these values. The values of these signals are vulnerable to interference and noise. Digital television overcomes this vulnerability and delivers signals that are totally clean.

Anamorphic: the squeezing horizontally of a 16:9 image into a full screen 4:3 display, resulting in distortion of the image geometry.

Artifacts: Unwanted visible effects in the picture created by errors in the video processing or noise/interference in analog circuits. Common artifacts include 'edge crawl' or 'hanging dots' in analog pictures or 'blockiness', noise or 'contouring' in digital pictures.

Aspect Ratio: the ratio of image width to image height. The term may apply to the display device configuration, or the shape of the content being displayed. (See Letterboxing) HDTV uses an aspect ratio of 16 units wide by 9 units high. Conventional television programming and displays are at an aspect ratio of 4:3. Digital SDTV programs may have aspect ratios from 4:3 to 16:9, dependant on content and its source (e.g. upconverted NTSC is likely to be 4:3).

ATSC: "Advanced Television Systems Committee." Formed to establish technical standards for U.S. advanced television systems. ATSC is now used as the catch-all nomenclature for DTV broadcast standards.

 Bandwidth: The range of frequencies used to transmit the television signal, including picture and sound. Analog television signals have been allocated at 6 Megahertz for each over-the-air channel. Digital channels are allocated the same 6 Megahertz. However, by the use of digital compression, a combination of up to 5 SDTV programs and/or one HDTV program can be carried in this 6 MHz digital channel.

 Baseband Video: Unmodulated analog video signal.

  Bit Rate: The rate at which the data is transmitted, expressed as ?bits per second? (bps). The higher the bit rate, the more data that is transmitted, generally resulting in better picture or sound quality. Video data rates are usually expressed as Megabits per second (Mbps, 106) and audio data rates in kilobits per second (kbps, 103).

CableCard: CableCARD is a way to watch digital cable TV programs without a cable TV set-top receiver box. Instead, a PCMCIA card plugs into a slot on your digital cable ready (DCR) TV or device, giving you access to standard and premium SDTV and HDTV programs provided you arrange authorization with your local cable company from whom you receive your cable TV service. Using a CableCard instead of a digital cable set-top-box to receive programming may have limitations, but the cost could be less.

Cable Modem: A data modem that provides an Internet connection over the TV cable network. Video-on-demand or interactive services may require such a connection.

CEMA: Consumer Electronics Manufacturers Association. A U.S. industry group representing manufacturers of consumer electronics products

 Channel: A 6 MHz (bandwidth) section of spectrum for over-the-air broadcast (channels 2 ? 69) or in TV cable that carries one analog NTSC program or one or more DTV programs.

 Closed Captioning: A data stream included in broadcast signal that provides text and/or narrative description of dialogue, sounds, and other elements of the picture for viewers with visual or auditory impairments.

Color saturation or purity is the intensity of a specific hue. A highly saturated hue has a vivid, intense color, while a less saturated hue appears more muted and gray. With no saturation at all, the hue becomes a shade of gray. The saturation of a color is determined by a combination of light intensity and how much it is distributed across the spectrum of different wavelengths. The purest color is achieved by using just one wavelength at a high intensity such as in laser light.

 Composite Video Connection: A method to interconnect video devices (such as a DTV set-top box and analog television) by sending the signal over a single cable. This method is suitable only for analog NTSC signals.

 Composite Video: An analog video signal (NTSC, PAL or SECAM) that includes both luminance (brightness) and chrominance (color) signals encoded together to form a single signal.

 Compression: A method of reducing the number of bits required to store or transmit programs by the removal of redundant and/or non-critical information in the digital picture and sound. The DTV broadcasting standard uses the MPEG-2 video and the AC-3 audio compression coding. Compression allows the delivery of more programs in a single channel.

Contrast Ratio: A measurement of digital displays such as HDTVs which describes the difference in light intensity between the brightest white and the darkest black that a display device can produce. A higher contrast ratio is better than a lower one. A high contrast ratio, such as 4000:1, signifies a better color representation (bright images will appear better against a darker background) than a lower contrast ratio, such as 2500:1. A 3000:1 contrast means 3000 times brighter than black. Typically, you want to purchase a flat-panel TV with a 3000:1 or greater contrast ratio. There are two separate measurements of contrast ratio; 
Full On/Off contrast is the measurement of light out when the TV displays an all white image (Full on) compared to the light output of a full black image (Full off). The second is the ANSI (American National Standards Institute) contrast; this is measured by 16 alternating black and white rectangles. The average light output from the white rectangles is divided by the average light output of the black rectangles to determine the ANSI contrast ratio. Be sure you are comparing the same measurement standard when comparing contrast ratio.

CRT:  An analog vacuum tube technology that has been the mainstay of conventional TV displays for many years, writing the picture on a phosphor coated screen with an electron beam. It can produce bright pictures of excellent resolution but the size and weight of a unit suitable for the large, wide-screen displays needed for HDTV may be, for some, a disadvantage.

CRTC:  Canadian Radio-television and Telecommunications Commission, the federal regulatory body for television programming and broadcasting in Canada.

Datacasting:  The inclusion of additional data in the broadcasting stream. Such data may be related to the current program (e.g. sports statistics) or may be completely independent (e.g. software downloading or traffic advisories).

 D/A: Conversion of digital signals to analog signals. Most set-top boxes decode the digital signals broadcast and then convert them to analog signal for interconnection to the display device.

  DLP (Digital Light Processing): A technique in which the displayed image is produced by an array of dynamic micro-mirrors formed on a chip, each reflecting some of the light source to form a pixel on the screen. Each micro-mirror controls the level of the light sent to the screen for its pixel. Resolution is set by the size of the mirror array and versions suitable for wide-screen HDTV are now in production for uses in both front and rear projection televisions.

 Dolby Digital (Dolby AC-3): The 5.1 channel audio standard for DTV and HDTV. It includes six discreet audio channels: Left, Center, Right, Left Surround (or side), Right Surround (or side), and a subwoofer -- LFE, "low frequency effects" -- (considered the ".1" as it is limited in bandwidth). Many televisions process these six channels into a two channel stereo pair and do not provide the full 5.1 channel surround sound.

 Dot Pitch: The distance between pixels (picture elements) in a display. In a CRT for HDTV, the dot pitch is typically 0.25 ? 0.3 mm. For full resolution HDTV display approximately 1400 pixels are required across the screen.

 Down-convert:  The process which reduces the number of pixels in the scanning format used to represent an image, so that it may be reproduced on a display of lower resolution, such as a conventional television. For example, an HDTV image may be down-converted to an SDTV or NTSC image, but in the conversion significant detail information may be lost.

 DTH: Direct-to-Home satellite delivery. May also be called DBS or Direct broadcast satellite. In the USA, DirecTV and Dish Network provide satellite TV services. In Canada, Bell ExpressVu and Star Choice provide DTH services in both HDTV and SDTV.

DTV: "Digital television." This comprises all the components of digital television, including HDTV, SDTV, datacasting, and multicasting, falling under the standards established by the ATSC.

DTS: Digital Theater Sound System. A proprietary discrete 5.1 channel surround system similar to, but not the same as Dolby Digital 5.1, the DTV standard. DTS is used in cinema presentations and in some DVD?s.

 DVD:  Digital Versatile Disk. An optical recording media similar to the familiar CD but having seven times its capacity on a single side. In television applications, DVD?s are capable of carrying full-length commercial movies, plus additional material such as outtakes, director's notes, movie trailers, etc.

DVI (Digital Video Interface): An interface for transmitting digital video from a source (STB) to a display. The DVI connection carries only digital video data and in HDTV applications the data is protected by the HDCP security protocol. If the DVI interface is used, then audio and control signals must be connected independently.

 EDTV: Enhanced Definition Television. A term defining a television that displays the picture (either from SDTV or HDTV) at a resolution of 480p lines in either 4:3 or 16:9 aspect ratio and which includes Dolby Digital AC-3 multichannel sound.

 Encryption: The process of coding signals so that a specific code or key is required by the viewer to recover the data so encrypted. Without this key, the data is meaningless. Encryption is used to provide conditional access for private television services.

 EPG: Electronic program guide. An on-screen display of channels and program data.

FCC: The Federal Communications Commission. The U.S. federal government agency charged with regulating OTA (over-the-air) radio and television broadcasts.

 Fire Wire: A digital interface originated by Apple Computer that can transport data at 100, 200, or 400 Mbps. It is widely used to interconnect digital video devices, such as cameras and displays. Also referred to as IEEE- 1394.

 Fps: Frames per Second. To give the illusion of motion, television actually transmits a series of snapshot pictures referred to as frames. Increasing the frame rate improves motion smoothness and may reduce flicker in some displays. 

HDCP (High-bandwidth Digital Content Protection): A protocol to secure digital content transmitted across a digital interface, so that it will remain within conforming devices and applications. HDCP is supported by the major content providers and by the CE industry..

HD-ILA (HD Direct drive Image Light Amplifier): A proprietary enhancement of the LCOS chip technology created by JVC for HDTV displays.

HDMI (High Definition Multimedia Interface): A digital interconnection among HDTV devices that carries video, audio data (in uncompressed digital form) and control signals. HDMI used a single interconnecting cable of maximum length of 50 ft. approx. The cable terminates in a 19 pin miniature connector designed for this purpose. The audio/video data transmitted across the HDMI interface is protected by the HDCP protocol for reasons of security. HDMI allows bi-directional transmission, enabling interactivity and flexible control arrangements.

 HDTV: High Definition Television: HDTV is a TV system having approximately twice the vertical and horizontal picture resolution of NTSC TV and having a wide aspect ratio of 16:9. Two HDTV formats are currently in use; (1) 1920 pixels per line and 1080i lines per frame and (2) 1280 pixels per line and 720p lines per frame. HDTV can be recognized by its spectacular picture resolution, freedom from annoying artifacts and impressive 5.1 channel surround sound.

 Interactive Television: TV programming with interactive content and enhancements, blending traditional TV viewing with the interactivity of a personal computer.

 Interlaced Scanning: Some HD televisions and most conventional televisions use the "interlace" method of scanning, in which the picture is transmitted and painted on the screen in two passes. In the first pass, every other line is painted and in the second, the lines in between. Some display types, such as LCD, plasma and DLP cannot display directly, images transmitted as interlaced signals and must convert them to a progressive format prior to their display.

 Letterbox:  The full display of a wide aspect ratio 16:9 picture on a display of aspect ratio 4:3 will result in black bars above and below the picture. This arrangement is referred to as ?Letterbox? and is often seen during movies shown on television.

 LCD (Liquid Crystal Displays):  A flat panel technology, using thin-film crystal techniques, widely used in laptop computers, other small portable displays and more recently in televisions. Image brightness can be very high and color performance can be good. For HDTV, wide-screen displays of adequate resolution are available up to about 45 in. for direct viewing. LCD devices are also widely used as the key element in many projection televisions, both front and rear screen, up to very large sizes.

LCOS (Liquid Crystal on Silicon): A flat panel display technology, similar to LCD. Light is reflected off the pixels formed in the LCOS chip and formed into an image on screen (front or rear) by the associated optics. Color displays may use three LCOS chips, one each for R, G, B or a single LCOS chip multiplexed with a color filter wheel. LCOS achieves very high quality HDTV displays.

 Line Doubling: A method used in some televisions to improve the visual quality of an NTSC interlaced picture, making it comparable to a progressively scanned picture.

Luminance: Component of the video signal that represents the brightness of the image.

 Metadata: Informational data about the data, included in a signal's data stream.

 MMDS: Multichannel, Multipoint Distribution System. A wireless cable system capable of being encoded for pay-per-view and subscriber services.

 MPEG-2: Compression standards for moving images and for audio as set by Motion Pictures Expert Group (MPEG). MPEG-2 video coding is the basis for ATSC digital television transmission in the U.S. and Canada.

 Multicasting: Term given to the sharing of the digital television channel among 2, 3, 4 or more individual programs and/or data services.

 NTSC: National Television Systems Committee. The organization that created the standards for production and broadcasting of analog color television programming. The term is widely used to mean a composite analog television signal.

 Over-the-air Broadcast (OTA): Also called Terrestrial Broadcast. The delivery of TV and radio signals, using UHF/VHF frequencies, directly to consumer devices. Broadcasts may be either analog or digital.

 Pixel: A picture element; a single displayable video dot. HDTV requires from 1 to 2 million pixels in the display for full resolution images to be shown. Analog TVs make a picture using up to 200,000 pixels. That's a lot of little dots, but this is one of those rare instances where more is just plain better, as wide-screen HDTVs and HDTV monitors have 2,000,000 pixels, ten times more. Those extra pixels are capable of creating a picture that's ten times sharper than any TV picture you've ever seen on analog (NTSC) TV.

 Plasma Displays (PDP) A technique that builds an image from a large number of pixels formed in a glass panel. The pixels are individually controlled, yielding a picture free of flicker and of high brightness. Displays of excellent resolution and color are available and the display approaches the "television picture on the wall" ideal. PDP displays up to 63 in. are available, making them suitable for the home theater.

 Progressive Scanning: Some HD televisions use the ?progressive? method of scanning, in which the whole picture is transmitted and presented on the screen in one pass. The resulting image is thus remarkably free of flicker and motion artifacts, appearing more ?life-like?. Some display types, such as LCD, plasma and DLP are inherently of the progressive scan type, while CRT?s may be scanned progressively (as in computer monitors) or interlaced.

PSIP: Acronym for "Program and System Information Protocol", an ATSC DTV specification that enables a DTV receiver to locate the various programs sent in the DTV channel, to identify the program information and to create on-screen electronic program guides and content advisories.

PVR (Personal Video Recorder): A functionality added to STB's or to Integrated HD televisions, to record and playback programs on one or more channels. Some PVR implementations include capability to selectively record material based on criteria such as program name, content, time, etc.

 Resolution: A measure of the density of lines and dots per line which make up a visual image. Usually, the higher the numbers, the sharper and more detailed the picture will be. In terms of DTV, maximum resolution refers to the number of horizontal scanning lines multiplied by the total number of pixels per line.

Reverse 3:2 Pull-Down: DTV material originating on film at 24 fps is converted to the 30 fps of DTV by repeating field or frames, resulting in some motion artifacts. Some film presentations remove these repeated images before transmission and send a signal to the television causing it to process (termed Reverse 3:2 Pull-Down) this material appropriately to make it suitable for display. In this way, the displayed material closely matches the original film quality, avoiding the motion artifacts.

 SDTV: "Standard Definition Television." SDTV are based on 480 lines of vertical resolution and may have either 4:3 or 16:9 aspect ratios, and surround sound. Several SDTV programs are sent together to form the simulcast bundle. While SDTV pictures are of significantly better quality than NTSC, they are not up to the standard of HDTV.

 Set-top box (STB): A box, similar to the familiar cable box, that is capable of receiving, decoding and sending to the associated television the picture and sound of the selected DTV broadcast. The use of an STB would allow the use of conventional televisions to receive DTV programs, but at reduced levels of resolution and with imperfections due to aspect ratio differences, leading to letterboxing or cropping of the sides of the picture.

 Simulcast: The broadcast of the same program simultaneously over two or more different systems or channels, such as in HDTV and in NTSC. 

 SMPTE: "Society of Motion Picture and Television Engineers." A professional organization that is responsible for the standards for film and television production.

 Stream: To send data on a network, such as the Internet, in such a way as to provide or simulate real-time delivery of video and/or audio.

  S-Video Connection: A method to interconnect video devices (such as a DVD player and the analog television) by sending the two signals luminance (Y) and an encoded color difference signal (C). The S-Video connection is made using a cable terminated in a small 4-pin connector (in some cases a 7 pin connector is used on computers to allow inclusion of an NTSC composite signal). S-video can greatly improve the picture when connecting SDTV or NTSC displays to a high quality video source such as DVDs.

 TCP/IP: " Transmission Control Protocol/Internet Protocol." TCP/IP is the method most commonly used in the Internet to transfer data, including streaming video and audio, between computers.

 Terrestrial: A broadcast signal transmitted "over the air" to an antenna.

 Upconvert: The process which increases the number of pixels or frame rate used to represent an image by creating new pixels at closer spacing. For instance SDTV video having 720 x 480 pixels may be upconverted to 1280 x 720 pixels for use as HDTV. The upconversion process does not increase the resolution of image.

 Video-on-Demand (VOD): A programming library service offering the individual viewer the choice of the available content on demand. When the program is requested and confirmed (by telephone or Internet) it is then delivered to the viewer over an available channel in encrypted form. VOD services are generally arranged on a ?Pay per View? basis, analogous to the cinema.

 VSB: " Vestigial side band." VSB is an analog modulation technique used to reduce the amount of spectrum needed to transmit information through cable TV, or over-the-air broadcasts.

Widescreen: see 16:9

Y, PB , PR : An analog method for carrying the video between HDTV or SDTV devices that retains the maximum video quality and is widely used for HD television. The video is carried on three cables, respectively carrying luminance (Y) and the two color difference signals (PB, PR).



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