Columbia ISA
Audio – Video


Models : Camcorder Formats : Media : Camcorder Features
Camcorders  


High Definition Camcorders - HDV

High Definition video is more popular as the flat panel HDTV displays become more affordable. Prices have been coming down and consumers are beginning to think about recording their video in the crisp, sharp higher resolutions of HD rather than the traditional SD or standard definition. The SD resolution of the standard Mini-DV and Mini-DVD camcorders is about 500 lines of resolution. With HD you can get 720 or 1080 lines.

High Definition is available on camcorders using tape, DVD, Hard Disk and memory card. The tape based HD format is called HDV. The HDV format was developed by Victor Company of Japan, Limited (JVC) and Sony and is designed to use the same video cassette size as standard Mini-DV.

JVC was the first to release an HDV camcorder in 2003, the GR-HD1 for $2,500. With the GR-HD1, the user could select standard DV (480i), or HDV (720p30, 480p60) mode. Sony was next to launch an HDV camcorder. Introduced in September 2004, the Sony HDR-FX1 recorded in HDV 1080i format on cassette tape but cost over $3,000.

In 2005, Sony released the more consumer-oriented HDV camcorder, the HDR-HC1.

In September 2005, Canon entered the HDV market with the Canon XL H1, a professional, modular HDV camera system. In 2006, Sony appended the HDR-HC1 with the less-expensive HDR-HC3. The HDR-HC3 features a slightly improved CMOS chip, but omits some features (such as external mic-in) of its predecessor. Canon then introduced the Canon HV10 which is a compact consumer priced 2.76 Megapixel CMOS chip HDV camera system and later the Canon HV20 model.

Panasonic took a different approach by pushing its DVCPRO HD format for HD acquisition. The Panasonic AG-HVX200 HDTV camcorder records DVCPRO HD (not HDV) on DVCPRO P2 cards. The built-in Mini DV tape recorder is relegated to standard definition DV only. Although the camcorder is a DVCPRO HD camcorder, it is not generally considered to offer the quality that other DVCPRO HD (such as the Varicam) offer.

In 2006, Sony released the HDR-FX7, HVR-V1U, marking the world's first full 1080p camcorders in a small format, with both 24p and 30p features on the camcorder (except for the HDR-FX7). Sony released the HDR-HC5 and HDR-HC7 models in 2007.

JVC has developed its own extension of the HDV format called ProHD which shoots natively at 720p24.



Sony HDR-HC5 1080i HD Handycam Camcorder for 2007



Overview

HDV was designed to offer an upgrade path from standard-definition (SD) to high-definition (HD) video. Since HDV operates at the same recorded datarate (25 Mbit/s) as DV, HDV recorders share the same physical tape transport (Mini-DV). HDV camcorders open high-definition video to consumers, amateur videographers, and low-budget TV production.

Although 1080i HDV and DV share the same (DV) tape format and the same recorded datarate, they use completely different video compression technology. The DV codec uses strictly an intraframe scheme, whereas HDV uses the MPEG-2 video codec. MPEG-2 applies both intraframe and interframe to video-compression, allowing HDV to achieve its higher spatial resolution at the target bitrate of 19.7 Mbit/s (720p) and 25 Mbit/s (1080i).

HDV audio uses lossy compression (MPEG-1 Layer 2) to reduce the audio bitrate to 384Kbps. DV audio uses uncompressed 16-bit PCM at 1536Kbps. As a result, HDV audio is technically inferior, although MPEG-1 at 384Kbps is regarded as 'perceptually lossless.'

Since HDV and Mini-DV use the same DV25 tape transport, at the same linear speed, recording times for DV and HDV are identical. That is, a 60 minute Mini-DV cassette can store 60 minutes of either Mini-DV or HDV footage.

As of yet, no HDV cameras can record HDV at LP speed, so the maximum record time on one tape is 80 minutes, as opposed to 120 with an 80 minute tape at LP. Because HDV uses the same tape form factor as DV, users should be able to use any high quality Mini-DV tape in their HDV camcorder. However, because HDV has a lower tolerance for drop-outs because of its long-GOP compression, many HDV users purchase either "master" quality Mini-DV tapes or specially formulated HDV tapes.

HDV compression

Although HDV and DV share the same tape format and the same recorded datarate, they use completely different video compression technology. The DV codec is strictly an intraframe (spatial) compression. Each DV video frame is recorded as an independent picture, with a fixed bit allocation and uniform placement on the videotape. The HDV codec is based on MPEG-2 video compression, which employs both intraframe and interframe (temporal) techniques. Interframe compressors store only a fraction of the frames in a video as independent pictures -- called I frames -- and encode the remaining frames as changes relative to them. Consequently, HDV frames vary in size depending on their prior and future neighbors. In HDV 1080i, one in every 12 (25 FPS) or 15 (30 FPS) frames is an I frame.

MPEG-2 video enables HDV to achieve a much higher compression ratio than DV, but at the cost of motion-induced artifacts in scenes of complex motion. The artifacts are a limitation of the compression technology and bitrate allocated to the video bitstream. Encoders are constantly improving; The Sony XDCAM HD format is very similar to HDV.

Resolution and aspect ratio

In HDV, the video frame is defined to have an aspect ratio of 16:9. Permitted resolutions are 720p and 1080i.

• HDV 720p uses a resolution of 1280x720 square pixels.
• HDV 1080i uses a resolution of 1440×1080 pixels,
but is still displayed with an aspect ratio of 16:9 (like SD widescreen formats, it uses a pixel aspect ratio of 1.33 instead of 1.0).

This means it has lower horizontal resolution than true 1080 HD formats (1920x1080). HDV resolution, while falling short of true 1080 HD, is still much higher than that of standard DV. 1440 pixels is still twice the horizontal resolution of SD formats.

In total, each HDV frame has 1,555,200 pixels, which is 4.5 times the resolution of NTSC DV (345,600 pixels) and 3.75 times that of PAL DV (414,720 pixels).

The numbers above refer to the luminance (brightness) information only; chrominance (color) information is subsampled (4:2:0 for HDV) to reduce the amount of data, as happens with DV and DVD, although NTSC DV uses a different sampling pattern (4:1:1). In other words, in all these formats, the chrominance resolution is one quarter of the luminance resolution. Most professional video formats use a 4:2:2 sampling pattern, and some high-end formats support 4:4:4, which is to say full chroma sampling.

Editing HDV

As a consequence of the fact that HDV uses the interframe MPEG-2 GOP (group of pictures) structure instead of a solely intraframe compression system, native editing of HDV footage differs technically from the native editing of DV footage. In DV, as each frame of a video sequence is stored as an independent object, the recorded footage can be spliced at any frame without any loss of quality. When editing HDV's MPEG-2 data directly, a single frame cannot be changed without re-encoding subsequent frames from the same group. Any editing of the native MPEG-2 video, whether it be a complex transition or a simple scene-change, requires a decompression and recompression of the entire HDV frame group. Especially over many generations, this may result in increased artifacting.

HDV's 1080i bitrate is 25 Mbit/s. Editing HDV's native MPEG-2 transport stream files also forces the computer system to work much harder to perform even simple tasks of cutting and splicing as frames that don't actually exist as independent cells have to be re-built.

Avid Xpress Pro can edit using native HDV.

JVC 

In 2003, JVC introduced the GR-HD1, a $2,500 HD camcorder geared specifically for  enthusiasts who want to create high-quality widescreen videos to playback on their new High Definition TVs. 



JVC GR-HD1 CAMCORDER

The format is officially called HDV and it records high-definition video on blank Mini DV cassettes. HDV backers also include Canon, Sharp and Sony. The four proposed the basic specifications for the format in July 2003 and received support from many companies. The final specifications for the HDV format became available in October 2003.

JVC was the first to release an HDV camcorder, the GR-HD1. With the GR-HD1, the user could select standard-DV (480i), or HDV (720p30, 480p60) mode.

Sony was next to launch an HDV camcorder. Introduced in Sept 2004, the Sony HDR-FX1 recorded in HDV 1080i format. Depending on the TV-standard in the released market, the unit would support either 50Hz or 60Hz recording (but not both.) The Sony HVR-Z1U, the equivalent professional model, supports both and adds XLR audio plus about 25 more features.

These cameras were all expensive and not really intended for the average consumer. But in 2005, Sony released the consumer-oriented HDV Camcorder, the Sony HDR-HC1 and in 2006, the Sony HDR-HC3 . In 2006, Sony replaced the HDR-HC1 with the less-expensive HDR-HC3. The HC3 features a slightly improved CMOS chip, but omits some features (such as external mic-in) of its predecessor. In 2007, the Sony HDR-HC5 and HDR-HC7 were released.


Sony HDR-HC7 HDV camcorder for 2007


SONY 



2005 SONY HDR-HC1 CAMCORDER

Sony HDR-HC1

Features:

  • HDV 1080i camcorder features HDV, DV (on a standard MiniDV cassette), and SD recording
  • 1/3-inch CMOS sensor with 3.0-megapixel still-image resolution
  • 10x optical zoom lens (digital zoom to 120x) and Super SteadyShot Image Stabilization
  • 2.7-inch wide (16:9) Hybrid Touch Panel Swivelscreen LCD; 37mm Carl Zeiss Vario-Sonnar T* lens

Specifications

Imaging device: 1/3-inch 3000K pixel CMOS sensor
Viewfinder: Color, precision 16:9 (252K pixel)
Video actual: 1983K pixels (16:9); 1486K pixels (4:3)
Still actual: 50-590mm (camera; 4:3 mode); 40-400mm (memory; 16:9 mode); 37-370mm (memory; 4:3 mode)
Aperture: 1.8-2.1
Focal distance: 5.1 to 51mm
35mm conversion: 41 to 480 millimeters (camera; 16:9 mode)
Filter diameter: 37mm
Optical zoom: 10x
Digital zoom: 120x
Carl Zeiss lens: Yes, Vario-Sonnar T lens
Focusing: Full Range Auto/Manual (Ring)/One Touch
SteadyShot Image Stabilization: Yes, Super Steadyshot
Minimum illumination: 7 lux
NightShot Infrared System: Super
Shutter speed: 1/4 to 1/10,000 second (in AE Mode)
LCD: 2.7-inch-wide (16:9) Hybrid Touch Panel SwivelScreen (123k)
Accessory shoe: Active interface shoe
Video input/output: Yes/yes (multi)
Audio input/output: Yes/yes (stereo, multi)
i.LINK2 DV interface (IEEE1394): Yes
USB port(s): Yes, ver. 1.1
USB streaming: N/A
Headphone jack: Yes (stereo, mini)
Microphone input: Yes (stereo, mini)
White balance: Auto/Outdoor/Indoor/One-Push
Iris control: Automatic
Power consumption (VF/LCD/VF+LCD): 5.8W/5.9W/6.4W (VF/LCD/VF and LCD), HDV;
5.2W/5.3W/5.8W (VF/LCD/VF and LCD), SD
Dimensions
(W x H x D):
2 7/8 x 3 3/4 x 7 1/2 inches
(71 x 94 x 88 millimeters)
Weight: 1 pound 7 ounces (without tape or battery)
What's in the Box: HDR-HC1 HDV 1080i Handycam Camcorder, power adaptor/in-camera charger (AC-L15), InfoLithium rechargeable battery (NP-FM50), wireless remote commander remote control (RMT-831), lens hood, lens cap, AV cable, component video cable, USB cable, shoulder strap, 16MB Memory Stick Duo Media

see also: SONY HDR-HC3


Sony HDR-FX1



2004 SONY HDR-FX1 CAMCORDER

The SONY HDR-FX1 HDV Handycam® Camcorder was introduced with an initial price of $3,699.99 and was the world’s first consumer 1080i high definition camcorder.

  • 1080i high definition video recording and playback
  • 3 - 1/3" wide aspect ratio Advanced HAD™ CCD imagers for enhanced color quality
  • Professional-level MPEG2 video compression with the Real-time HD Codec Engine
  • Carl Zeiss® Vario-Sonnar® T* lens with 12x optical zoom
  • 3.5" wide precision hybrid SwivelScreen™ LCD display

 

The world’s first consumer 1080i high definition camcorder, the Sony Handycam® HDR-FX1. The HDR-FX1 allows you to play and record interlaced high definition video at resolutions up to 1440 x 1080 for professional quality video with vivid colors and striking detail. It even offers the ability to switch to standard DV recording and playback as the situation warrants.

The HDR-FX1 features the Real-time HD Codec Engine, which offers professional-level MPEG2 video compression, and 14bit HD DXP (Digital Extended Processor) for increased processing speed. Images are captured on three chip Advanced HAD™ CCD system that provides increased detail and improved video performance without the color bleeding found in other system. Optical capabilities include a Carl Zeiss® Vario-Sonnar® T* lens with 12x optical zoom and Super SteadyShot® image stabilization.

The HDR-FX1 offers an unprecedented amount of control to the user, including manual zoom, focus, and iris control. Picture Profile™ allows the user to create a number of preset video modes for a variety of shooting settings. Composing shots is easier than even with the 3.5" precision hybrid SwivelScreen™ LCD display and the extra-large electronic viewfinder.

 
3-1/3" 16:9 Advanced HAD™ CCD Imagers 1,120K Pixels Gross
Advanced HAD™ (Hole Accumulation Diode) CCD imagers with 1,120K effective (video) pixels provides excellent detail and clarity with exceptional digital video performance. Using a 3 chip Advanced HAD™ CCD system and dichroic prism to separate color information, colors are extremely accurate, and color “bleeding" and “smearing" are greatly reduced.
Advanced HAD™ CCD Technology
Enhanced CCD design allows more light to reach the imager which reduces video noise to improve signal-to-noise ratio by up to 6db (2x better than a standard CCD). Particularly effective when shooting in dark situations.
HDV Recording Format
From the innovators in camcorder technology, Sony’s HDR-FX1 camcorder is the world’s first HDV1080i consumer level camcorder and player. Now you can record all your memories in true high-definition video.
Switchable HDV/DV Format Recording
The HDR-FX1 is capable of recording and playing back both High Definition and Standard Definition video recorded on standard MiniDV cassettes.
Real-time HD Codec Engine
A Sony developed Real Time MPEG Encode/Decode system with reduced in energy consumption and compact size to fit inside a personal camcorder. Provides efficient MPEG2 compression, and recording and playback of clear HD images at the same bit rate of the DV format, so that High Definition video can be recorded on the same cassettes as are used for MiniDV recording.
12X Optical Carl Zeiss® Vario-Sonnar® T* Lens
From the authority in lens technology, the Carl Zeiss® Vario-Sonnar® T* lens provides a high quality 12x optical zoom which maintains image clarity and color while reducing glare and flare.
3.5" Wide Precision Hybrid SwivelScreen™ LCD Display 1 (250K Pixels)
Provides excellent viewing clarity with improved resolution. The 250K pixel LCD display makes images sharp and detailed during playback or when monitoring recording. The Hybrid Reflective-Transmissive LCD Screen provides accurate viewing in sunlight or bright light, virtually eliminating the “wash-out" common with traditional LCD Screens.
Super SteadyShot® Optical Stabilization System
An advanced form of Sony’s SteadyShot Image Stabilization system that controls an even higher range of shake and vibration frequencies. This optical stabilization system achieves an even higher level of smoothness without degradation of video like some digital stabilization systems.
Analog/Digital Conversion with Pass-Through
Convert and/or record any analog NTSC video source to digital video via the analog inputs. Analog NTSC video can also be passed through the digital Handycam camcorder directly into a PC via the i.LINK® interface in real-time for easy PC editing of your analog footage.
Manual Zoom and Manual Focus Ring
Dual independent Zoom and Focus rings provide precise and detailed control over the amount of zoom and the overall focus of the image with just a turn of the rings. Fast, intuitive framing when zooming, and finely detailed focusing is easy with the natural “feel" of the rings.
Expanded Focus Indicator
The camera‘s LCD image is magnified, temporarily, up to 4X its original size without any loss of distortion. This allows the user more finite control while focusing the camera for greater detail and clarity.
Picture Profile
Allows the user to set manual adjustments for a scene (color, sharpness, white balance, etc) into any one of six presets, so they can be called up at just the touch of a button. Useful when shooting under the same conditions repeatedly, as options do not have to be re-set each time. Settings for various shooting conditions are offered as defaults.
CineFrame™ Recording
Provides the option of recording video at either 30 fps or with a feeling of “film-like" 24 fps.
Assignable Buttons
Three buttons on the exterior of the camcorder are user-assignable so that they can be set to the options most commonly utilized, for ease of recording.
i.LINK® DV Interface (IEEE1394)
A high speed bi-directional digital video/audio communication between two compatible devices equipped with an IEEE1394 interface, including camcorders, digital VCRs, and PCs.
MPEG 1 Audio Layer II
The HDR-FX1 records audio in MPEG1 Audio Layer II while recording in HDV format that provides outstanding sound quality even when compressed. In the standard DV format audio is recorded in either 12/16 bit (selectable) PCM Digital Stereo for audio quality that rivals that of a CD.
Manual Iris Control
By turning the Iris dial on the side of the camera, the user can manually adjust the amount of light entering the camera. The iris is adjustable from f1.6 to f11, in 24 steps.
Shot Transition
Allows for a smooth automatic scene transition. Settings for focus, zoom, iris, gain, shutter, and white balance can be set to the A/B button and a smooth transition will take place according to the set time. This function enables the focus to gradually shift from the front of the screen to a deeper part of the screen. Thus the iris enables a smooth change of depth of field.






SONY HDR-FX1 Specifications

 
• Imaging Device: 3- 1/3" 16:9 1120K Pixel Advanced HAD™ CCDs
• Video Actual: 1070K Pixels
• F: 1.6 – 2.8
• Focal Distance: 4.5 – 54.0mm
• 35mm Conversion: 32.5 – 390mm
• Filter Diameter: 72mm
• Optical Zoom: 12X
• Focusing: Full Range Auto/Manual (Ring) / One Touch
• Minimum Illumination: 3 lux
• NightShot® Infrared System: N/A
• Shutter Speed: 1/4 – 1/10,000 (in AE Mode)
• Viewfinder: Color, Precision 16:9 (252K pixel)
• LCD: 3.5" 16:9 (250K) Precision Hybrid Color1
• Accessory Shoe: Yes (Cold)
• Video Input/Output: Yes (Composite (Mini) and S-Video/Yes (Component, Mini, and S-Video)
• Audio Input/Output: Yes/Yes (Stereo, Mini)
• i.LINK®2 DV Interface (IEEE1394): Yes
• USB: N/A
• USB Streaming: N/A
• Headphone Jack: Yes (Stereo, Mini)
• Mic. Input: Yes (Stereo, Mini)
• White Balance: Auto/One-Push (A)(B)/Preset
• Iris Control: Yes, Gain Independent
• Power Consumption (VF/LCD/VF+LCD): 7.4W / 8.0W / 8.4W
• Dimensions (WHD): 6" x 7 1⁄8" x 14 3⁄8"
• Weight: 4 lbs 4 oz
• Supplied Accessories:
AC-L15 Power Adaptor/ In Camera Charger, NP-F570 InfoLithium® Rechargeable Battery, RMT-831 Wireless Remote Commander® Remote Control, AA Battery, Lens Hood, Lens Cap, Multi A/V Cable, Component Video Cable, Cleaning Cassette, Shoe Adapter, Large Eye Cup, Shoulder Strap


Canon HV20 HDV Camcorder

 


HDV 




HDV Tapes
: Sony Digital HD Video Tape Cassette for HDV & MiniDV. High Definition Video Recording/ Designed For 1080i or 720p HDV.

Sony’s DVM-63HD HD DVC tape offers the highest quality recording media. It is the recommended media for Sony's HDR-FX1 camcorder. It has a 63 minute tape duration.

High Definition Video Recording. Designed for 1080i or 720p HDV recording and playback. 63 minutes recording time of 1080i video 3dB higher carrier-to-noise ratio vs. Premium DVC tape. Conforms to the MiniDV standard, yet is manufactured with much higher tolerances while incorporating the new AME II technology. 

The additional 3-minutes on the DVM63HD tape is for test recording. This helps the user calibrate the camera for best results. You can record the full 63 minutes of 1080i video. When recording in 720p HDV or in DV mode, you can record 94 min in LP and 63 min in SP setting.

Since HDV operates at the same recorded datarate (25 Mbit/s bitstream rate) as DV, HDV recorders share the same physical (MiniDV ) tape-transport as existing DV equipment. For the camera, the main expense is concentrated in the optics and imaging electronics. Compared to HD-video equipment built on more professional standards (such as HDCAM and DVCPROHD), HDV enjoys a tremendous cost advantage. HDV-camcorders opens high-definition video acquisition to consumers.

Media  

VIDEO

 
Video signal 480/30p, 480/60p, 576/25p, 576/50p, 720/60p, 720/30p, 720/50p, 720/25p, 1080/60i, 1080/50i, 1080/25p, 1080/30p
Video Chroma subsampling 4:2:0
Video sample quantization 8 bits (both luma and chrominance)
Video Compression MPEG2 Video
Video compressed bitstream rate Approximately 25 Mbit/s for 1080i / 19 Mbit/s for 720p

AUDIO

 
Audio sampling frequency 48 kHz
Audio quantization 16 bits
Audio compression MPEG-1 Audio Layer II
Audio compressed bitstream rate 384 kbit/s
Audio mode Stereo (2 channels); optional 4-channel synchronous


Media Same as DV format (DV and/or Mini DV Tape)
Video
Video Signal 720/60p, 720/30p
720/50p, 720/25p
1080/60i, 1080/50i
Number of Pixels 1280 X 720 1440 X 1080
Aspect Ratio 16:9
Compression MPEG2 Video (profile & level: MP@H-14)
Sampling Format 4 : 2 : 0
Quantization 8 bits (both luminance and chrominance)
Bit rate after Compression Approximately 19Mbps Approximately 25Mbps
Audio
Compression MPEG1 Audio Layer II
Sampling Frequency 48kHz
Quantization 16 bits
Bit rate after Compression 384kbps
Audio Mode Stereo (2 channels)
System
Data Format MPEG2 
Stream Type Transport Stream Packetized Elementary Stream
Stream Interface IEEE-1394 (MPEG2-TS)

 
HDV CAMCORDERS
1. HDV - SONY HDR-HC7 for 2007. The HDR-HC7 consumer-grade, dual-mode HDV/DV camcorder was announced by Sony at the annual Consumer Electronics Show (CES), held January 8 thru 11, 2007, in Las Vegas, Nevada. The HDR-HC7 has a U.S. MSRP of $1399.99 and became available in February 2007.

The HDR-HC7 has a single 1/2.9-inch (0.3448-inch) ClearVid CMOS (Complementary Metal Oxide Semiconductor) sensor, a 2.7-inch 211,200 dot widescreen 16:9 aspect ratio LCD panel, uses Sony's Super SteadyShot OIS (Optical Image Stabilization) system, and is equipped with an F1.8-2.9 40 mm to 400 mm 10x optical (20x digital) zoom lens that offers manual focus. Minimum illumination is specified as 2 lux (1/30) and the lens accepts 37 mm diameter attachments/accessories.

The HDR-HC7 has a bi-directional 4-pin S100 mode (98.304 Mbps) IEEE 1394a (aka Apple FireWire 400 / Sony i.LINK) port, a Mini-B USB 1.1 port, YPbPr analog component video output, a 19-pin Type A HDMI (High-Definition Multimedia Interface) output jack, a built-in stereo microphone plus an unbalanced microphone input jack, a headphone output jack, includes PictBridge support for direct-to-printer printing, and weighs approximately 22 ounces with a tape and the supplied NP-FH60 battery. Other batteries that can be used with the HDR-HC7 are the NP-FH50, the NP-FH70, and the high-capacity NP-FH100. Although it's possible to change tapes in the HDR-HC7 while the camcorder is tripod-mounted, positioning of the battery release lever on the underside of the unit requires that the camcorder first be removed from the tripod.

The HDR-HC7 has a LANC (Local Application Control or Control-L) control jack, but lacks an analog-to-digital pass-through capability. The camcorder is equipped with a built-in flash for shooting still images and, as with most camcorders in its range, has the ability to shoot still images while simultaneously shooting video. Still image storage is to Memory Stick Duo and Memory Stick PRO Duo (4 GB max) flash memory cards. Memory Stick and Memory Stick PRO media cannot be used with the camcorder. The HDR-HC7 implements Sony's proprietary AIS (Active Interface Shoe) technology that provides power to externally-attached accessories such as a video light or powered microphone.

The HDR-HC7 can be used with Sony's SPK-HCC underwater housing (Sports Pack), which is waterproof to a depth of 17 feet (5 meters). This U.S. MSRP $249.99 optional accessory, which has a built-in stereo microphone, became available in February 2007.
2. HDV - SONY HDR-HC5 for 2007. The HDR-HC5 has a single 1/3-inch (0.3333-inch) ClearVid CMOS sensor, a 2.7-inch widescreen 16:9 aspect ratio LCD panel, uses an EIS (Electronic Image Stabilization) system, and is equipped with an F1.8-2.9 41.3 mm to 485 mm 10x optical (80x digital) zoom lens that offers manual focus. Minimum illumination is specified as 2 lux (1/30) and the lens accepts 37 mm diameter attachments/accessories.

The HDR-HC5 has a bi-directional 4-pin S100 mode (98.304 Mbps) IEEE 1394a (aka Apple FireWire 400 / Sony i.LINK) port, a USB 1.1 port, YPbPr analog component video output, a 19-pin Type A HDMI (High-Definition Multimedia Interface) output, a built-in stereo microphone, includes PictBridge support for direct-to-printer printing, and weighs approximately 21 ounces with a tape and the supplied NP-FH60 battery. The HDR-HC7 has a LANC (Local Application Control or Control-L) control jack, but lacks an analog-to-digital pass-through capability and has neither a microphone input jack nor a headphone output jack.
3. HDV - SONY HDR-HC3 for 2006. The Sony HDR-HC3 is a dual-mode HDV/DV camcorder with a single 1/3-inch CMOS (Complementary Metal Oxide Semiconductor) sensor intended for the point-and-shoot segment of the consumer market. It's both smaller and lighter, by about 26 percent, than the HDR-HC1 and has a highly-automated "Easy Handycam" mode of operation. The CMOS sensor employs Sony's ClearVid technology, which makes it more sensitive than the sensor used in the older model HDR-HC1 camcorder.

The HDR-HC3 has a Carl Zeiss Vario-Sonnar T* lens with a 10x optical zoom and 20x and 80x digital zoom modes, a 2.7-inch 16:9 aspect ratio LCD (Liquid Crystal Display) touch screen display with 211,200 dots, a built-in flash, a built-in speaker, supports Sony's NightShot and Super NightShot modes, and includes an AC adapter and a lithium-ion battery. Power consumption is less than that of the HDR-HC1 and unlike the HDR-HC1, the HDR-HC3 is not bottom-loading; the tape transport mechanism on the HDR-HC3 is located on the side of the camcorder—although the battery release lever is located on the underside of the unit near the tripod mount. The camcorder has a Sony AIS (Active Interface Shoe) that can be used to supply power to optional accessories such as a video light, a photo flash, or an external microphone, although the HDR-HC3 lacks an input jack for connection of an external mic, so only an AIS-compatible microphone such as the Sony ECM-HGZ1 shotgun can be used. There's also no headphone jack provided on the unit.

The fixed lens accepts 30 mm diameter attachments/accessories. The HDR-HC3 employs an EIS (Electronic Image Stabilization) system. The HDR-HC3 includes a Memory Stick slot that accepts both Memory Stick Duo and Memory Stick PRO Duo flash memory cards and which can be used to store JPEG still images at a number of different resolutions. Usable Memory Stick PRO Duo media is limited to 2 GB in size. Also included on the camcorder are a 4-pin IEEE 1394a (aka Apple FireWire 400 / Sony i.LINK) port operating in S100 mode (98.304 Mbps) for computer transfer of both DV and HDV datastreams and a Mini-B USB port for computer still image transfer and for connection to PictBridge-compliant printers such as the Sony DPP-FP50 Digital Photo Printer for direct-to-printer printing. Still images can be saved to Memory Stick media while the camcorder is recording live video to tape, although the built-in flash is disabled during tape recording.

The HDR-HC3 can perform DV-mode tape recording at SP and LP (Standard Play and Long Play, respectively) speeds and in traditional standard 4:3 or special widescreen 16:9 aspect ratios, while 2-channel stereo DV audio can be captured at user-selectable bit depths and sampling rates of 12/32 or 16/48. JVC-style 720p HDV tape recordings can be played by the HDR-HC3, but no signal is output via the camcorder's IEEE 1394a connector when playing back such tapes.

The HDR-HC3 has a 2.5 mm LANC jack, built-in HDV to DV downconversion capability, analog component video (YPbPr) output, an A/V connector which supplies composite video, S-Video (Y/C), and audio, and a 19-pin Type A HDMI output jack. All of the camcorder's SD (standard definition) functions are NTSC-based. Whether recording in DV mode or in HDV mode, any blank DV tape can be used in the HDR-HC3, although tapes having the Cassette Memory feature cannot be used. Recommended head cleaning cassette is the Sony DVM-12CLD. The HDR-HC3's viewfinder is designed to be user-removable with a screw driver for cleaning purposes, an unusual feature on a consumer-grade camcorder.

A variety of battery packs can be used to power the HDR-HC3 including the NP-FP50, NP-FP60 (supplied), NP-FP70, NP-FP71, and NP-FP90, although the NP-FP30 cannot be used with this camcorder. The camcorder can be used with the Sony SPK-HCB underwater housing (Sports Pack), which is waterproof to a depth of 17 feet (5 meters), making it useful for snorkeling but not for serious diving.
(U.S. MSRP $1499.99)
4. HDV - SONY HDR-HC1 for 2005. The Sony HDR-HC1 is a 1/3-inch single CMOS (Complementary Metal Oxide Semiconductor) sensor based, consumer-grade, dual-mode HDV/DV camcorder and is smaller and lighter than the older model HDR-FX1. This camcorder has a Carl Zeiss zoom lens (10x optical and 120x digital) with zoom ring, 2.7-inch touch-panel LCD (Liquid Crystal Display) screen, spot focus, built-in pop-up flash, YPbPr analog component video output, SD (standard definition) downconversion, 4-pin IEEE 1394a (aka Apple FireWire 400 / Sony i.LINK) and USB connections, both manual focus and auto focus, can store stills on Sony Memory Stick Duo/Memory Stick PRO Duo media, supports an infrared low-light/no-light shooting mode, includes PictBridge support for direct-to-printer printing, and weighs approximately 1.5 pounds less battery. All of this camcorder's SD functions are NTSC-based.

The fixed lens accepts 37 mm diameter attachments/accessories.The HDR-HC1 employs an EIS (Electronic Image Stabilization) system, rather than an OIS (Optical Image Stabilization) system. Recommended cassette tape for use with the HDR-HC1 camcorder, especially when operated in HDV mode, is the Sony DVM-63HD. This is the same tape that Sony recommends for use with the HDR-FX1.

The HDR-HC1's tape transport mechanism is bottom-loading. The battery release switch is also located on the underside of the unit. Initial availability was July 15, 2005 with a U.S. MSRP of $1999.99.
5. HDV - Canon HV10 for 2006. Captures 1080 High Definition resolution video in 16:9 format using Mini-DV cassette tapes. CMOS sensor, DV/HDV.

CANON HV10 Digital zoom 200 x Effective sensor resolution 2.96 megapixels Optical sensor size 1/2.7 in Optical sensor type CMOS

Shooting modes Normal movie mode, Digital photo mode White balance Presets, Automatic White balance presets Shade, Cloudy, Daylight, Tungsten light, Fluorescent light (cool white), Fluorescent light (warm white)

Widescreen video capture Yes
Lens aperture F/1.8-3.0
Optical zoom 10 x Lens system type Zoom lens
Min focal length 6.1 mm Max focal length 61 mm
Filter size 37 mm Manual focus Manual, Automatic Min focus range 0.4 in Zoom adjustment Motorized drive

Memory / StorageMedia type Mini DV
Viewfinder / DisplayDisplay type LCD display - - 2.7 in - Color Display form factor Rotating Display resolution 210,000 pixels Viewfinder color support Color

Expansion / Connectivity

Connections 1 x Additional Features
Video input features RGB primary color filter
Software type Roxio My DVD, Canon PhotoStitch, Canon ImageBrowser, Drivers & Utilities, Canon ZoomBrowser EX

Power supply included Power adapter -

External Physical Characteristics
Width 2.2 in Depth 4.2 in Height 4.1 in Weight 15.5 oz
6. HDV - Canon HV20 for 2007. HDMI port, better low-light performance than HV10. MSRP of $1099.99



High Definition video recorded on DVD and HDD.

In addition to recording HD on tape, you can now record HD on mini-DVD, hard disk drive (HDD) and memory card camcorders. Using AVCHD with MPEG-4 compression and dual-layer 8cm DVD, you can get High-Def video on a consumer level camera. But be careful regarding compatibility. Not all devices will playback this format and not all video editors have come up to speed yet to be able to edit this format.

What is AVCHD?

AVCHD (Advanced Video Codec High Definition) is a new high definition recording format introduced by Sony and Panasonic. It can use various storage media, including 8 cm (3 inch) recordable DVD discs, as well as hard disk, and SD and Memory Stick Pro memory cards, and is being positioned to compete with handheld video camera recording formats like HDV and MiniDV.

AVCHD uses an MPEG-4 AVC (H.264) video codec. AVC's greater compression efficiency (when compared with the aging MPEG-2 codec used in HDV camcorders) allows AVCHD recorders to capture video using less storage. The audio track can be stored as uncompressed 7.1 linear PCM, or compressed AC-3 surround 5.1. The compressed audio and video data are encapsulated in an MPEG-4 Transport stream, called HDMV.



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